One of the weirder things about my field site is that it is also a Hollywood set. A number of movies, TV shows and commercials have been filmed at the LA Arboretum, going back to Tarzan Escapes in the 1930s.
The Arboretum had a regular appearance in the popular 1970s show Fantasy Island. In the opening credits, a midget rings the bell in the Queen Anne Cottage. This is a historic building on the Arboretum grounds that was built in the by the same wealthy California businessman who started the peafowl population in the area.
You can catch the Arboretum in many other films, since it provides a convenient stand in for the jungle a short drive away from downtown Los Angeles. Examples: The Lord of the Flies, Anaconda, The Lost World, Congo, Terminator 2, The African Queen, and too many campy horror flicks to count (Attack of the Giant Leeches?).
Several things were filmed during my three seasons there, leading me to realize that making a movie is a lot like doing field biology. Here’s how:
1. The hours. Field biologists often have to keep the same hours as their study species, working for as long as the animals are active. For some ornithologists, this can mean starting at 4 am. We were lucky with peafowl. They are late risers, coming down from their roosts around 7-8 am. They also tend to take a long siesta in the middle of the day. This meant that we had to work two shifts, coming in for several hours in the morning and returning after lunch until sunset. It made for some long days.
Film crews also seem to work long hours based on the amount of light, since our schedules would often coincide.
2. Tedium and futility. Most of the time spent watching animal behaviour is watching them do very little. Here’s an example: we saw about 20 mating events in 2010, in 500 man-hours of observation time. That’s over 24 hours of sitting quietly for each copulation.
Catching the beasts can be a little bit more active, but you still feel completely useless 90% of the time. Your main activities include: waiting for the animals to show up, looking for the ones you haven’t caught yet, waiting around for your traps to work, and worrying about all the reasons why they aren’t.
A lot of jobs in Hollywood might not be so far off. When AT&T filmed a commercial at the Arboretum last year, we met a guy whose sole responsibility was to keep the peacocks away from the set. His boss gave him a bag of bird seed. It was the cusp of the breeding season, and the crew had decided to place their set right in the middle of one particularly dedicated male’s territory. The poor guy was literally playing tag with that bird all day.
3. Costumes. Important in Hollywood, but also useful when trying to catch birds. After a few weeks in the field, most tend to settle in to a uniform, wearing the same thing nearly every day. If it works and you’ll just be getting dirty again tomorrow, why change?
Waterproof jackets come in handy when catching large birds. From left: Will Roberts, Myra Burrell and Roz Dakin. Photo by Bonny Chan.
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